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Having come into that world without a background in film\u2026 I mean, I had done work as an audio technician in various ways, recording music, mixing music, doing CD mastering, working in Chicago public radio, making radio programs, and doing live broadcasts and blah blah blah. I had some sense of how to work in audio but not any training in how to do soundtrack for a movie. I had blissfully approached that without a sense of what conventions I was either making use of or not making use of.
Not to harp on Leviathan but the sounds that came out of those GoPro cameras were pretty mindblowing. That\u2019s why I wanted to stick with them. They were harsh and noisy but very detailed in their noise, it was like whoa. On a different level, looking again to these older films, Manakamana. It was recorded by Stephanie Spray with just a stereo microphone in a gondola. It was just beautifully done and it was just this pair of mic capsules in a gondola. Hearing a radio playing in a village that they\u2019re passing over, or the birds that are down below\u2014all this depth and detail came through in that recording. 2ff7e9595c
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